Alma Tadema's Oil Paintings
	Alma Tadema Museum 8 January 1836 – 25 June 1912. Most renowned painters.
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Here are all the paintings of Jan van Scorel 01

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
23491		adam and Eve (nn03)	c 1540 Oil on panel 47.6 x 31.8 cm 18 3/4 x 12 1/2 in Private collection
77578		Enzyklopadie der Weltkunst	Medium Oil on panel Dimensions 67 ?? 76.5 cm (26.4 ?? 30.1 in) cyf
70781		frambarandet i templet	olja pa tra 85x114cm se
3866		Head of a Young Girl	Art History Museum, Vienna
70780		huvud av ung flicka	olja pa tra 23x28.5cm se
93449		Landscape with Bathsheba	circa 1540-1545 Medium oil on oak panel Dimensions 100.4 x 203.9 cm (39.5 x 80.3 in) cjr
91740		Landschaft mit Tobias und dem Engel	1521(1521) Medium oil on panel Dimensions 81.5 X 123.4 cm (32.1 X 48.6 in) cjr
89666		Lucretia	1535(1535) Medium oil on oak cyf
77686		Madchenkopf	um 1530/1535 Oil on panel 28,5 x 23 cm cjr
80951		Madchenkopf	Deutsch: um 1530/1535 Medium Oil on panel Deutsch: Öl auf Eichenholz Dimensions Deutsch: 28,5 x 23 cm cyf
91216		Madonna of the Daffodils with the Child and Donors	Oil on panel, 56 x 76 cm c. 1535(1535) cjr
75774		Maria Magdalena	Oil on panel 67 ?? 76.5 cm (26.4 ?? 30.1 in) cjr
85012		Mary Magdalen	Date c. 1530(1530) Medium Oil on oak panel Dimensions Height: 67 cm (26.4 in). Width: 76.5 cm (30.1 in). cjr
88784		Mary Magdalen	1530(1530) Medium Oil on oak panel cyf
33539		Mary Magdalene	mk86 1529 Oil on canvas 67x76.5cm Asmsterdam,Rijksmuseum
40350		Mary Magdalene	mk156 c.1530 Oil on panel 67x76.5cm
21392		Mary Magdalene (mk08)	1529. Oil on canvas 67x76.5cm Amsterdam,Rijksmuseum
92801		Mary Magdalene.	c. 1530(1530) (1525-1535) Medium oil on panel Dimensions 67 X 76.5 cm (26.4 X 30.1 in) cjr
89667		Portrait of a Man	1535(1535) Medium oil on oak cyf
88382		Portrait of a Man of Thirty	1521(1521) Medium Oil on wood cyf
84544		Portrait of a Man of Thirty-Two Years	Date 1521(1521) Medium Oil on wood Dimensions Height: 51 cm (20.1 in). Width: 43 cm (16.9 in). cjr
83790		Portrait of a Venetian Man	Date ca. 1520(1520) Medium Oil on wood Dimensions Height: 45 cm (17.7 in). Width: 33.5 cm (13.2 in). cjr
87626		Portrait of a Venetian Man	1520(1520) Medium Oil on wood cyf
79237		Portrait of a young scholar	1531(1531) Medium Oil on panel Dimensions 46.5 x 35 cm (18.3 x 13.8 in) cyf
80022		Portrait of a young scholar	1531(1531) Medium Oil on panel Dimensions 46.5 x 35 cm (18.3 x 13.8 in) cyf
92968		Portrait of Reinoud III van Brederode	c. 1545(1545) Medium oil on oak panel Dimensions 78.6 X 67 cm (30.9 X 26.4 in) cjr
84543		Presentation of Jesus in the Temple	Date between 1524(1524) and 1526(1526) Medium Oil on wood Dimensions Height: 114 cm (44.9 in). Width: 85 cm (33.5 in). cjr
88381		Presentation of Jesus in the Temple	between 1524(1524) and 1526(1526) Medium Oil on wood cyf
3865		The Presentation in the Temple	Art History Museum, Vienna
29922		The Stigmata of St.Francis	mk67 Oil on panel 27 3/16x21 1/4in Pitti,Palantine Gallery

Jan van Scorel

Dutch 1495-1562 Jan Van Scorel Galleries Jan van Scorel (1495, Schoorl - December 6, 1562, Utrecht) was an influential Dutch painter credited with the introduction of High Italian Renaissance art to the Netherlands. It is not known whether he began his studies under Jan Gossaert in Utrecht or with Jacob Cornelisz in Amsterdam, but it certain that it was the master painters he would meet later in his life who would have the greatest effect on his technique. Van Scorel began traveling through Europe in his early twenties, first heading to Nuremberg and then to Austria. It was there, in 1520, that he completed his first representative work, the "Sippenaltar" in St. Martin's church in the village of Obervellach. Giorgione served as a considerable influence on van Scorel during a tenure in Venice. Upon leaving Venice, van Scorel passed through Rome and made a pilgrimage to the Holy Land. His experiences in Jerusalem are depicted in many of his later works. In 1521, van Scorel returned to Rome where he met Pope Adrian VI, who appointed him painter to the Vatican. He himself sat for a portrait. Van Scorel enjoyed the influence of Michelangelo and Raphael, and succeeded Raphael as Keeper of the Belvedere. Upon his return to the Netherlands in 1524, he settled in Haarlem where he began a successful career as a painter and a teacher. Van Scorel was a very educated man and skilled as an engineer and an architect, as well as an artist. He was also multi-lingual, no doubt as a result of his travels. Considered to be the leading Netherlandish Romanist, van Scorel moved to Ghent for painting contracts before moving to Utrecht for the same reason, where he died in 1562, leaving behind a wealth of portraits and altarpieces. Though many of his works fell victim to the Iconoclasm in 1566, some still remain and can be seen primarily at museums in the Netherlands.

All the Alma Tadema's Oil Paintings

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